COOKE S4/i
There's a reason the Cooke Look is lore. Skin tones bloom with warmth. Highlights roll off like silk. Faces breathe with a three- dimensional life that digital sharpness can't touch. Backgrounds surrender to soft, painterly fall-off, and the /i metadata keeps post-production as fluid as the glass itself. This is the set that turns beauty into art.
Spec | Detail |
|---|---|
Format | Super 35 |
Aperture | T2.0 |
Focal Lengths | 16, 25, 32, 40, 75, 135mm |
Mount | PL |
The lens that directors trust when skin and emotion are the story. Flattering, forgiving, and consistently beautiful - it's the set that makes talent look their best, straight out of the camera.
Unlock the full potential with the ALEXA MINI
ZEISS ULTRA PRIME
Netflix-approved and built for precision. Sharpness that cuts through diffusion. Zero breathing - even on the most demanding focus pulls. Color and contrast so consistent, every frame locks together like a perfect edit. This is the set that product directors dream about - and VFX teams thank you for.
Spec | Detail |
|---|---|
Format | Super 35 |
Aperture | T1.9 |
Focal Lengths | 16, 24, 32, 50, 85, 135mm |
Mount | PL |
The lens that VFX supervisors and product directors rely on when precision is non-negotiable. Zero breathing, consistent colors, and sharpness that holds up to any scrutiny.
Unlock surgical precision with the ALEXA MINI
ZEISS SUPER SPEED MK3
The lens that built night exteriors. Zeiss High Speeds are pure vintage character – wide open at T1.3, they drink in streetlight like it's daylight. Flares dance. Fall-off wraps around subjects like a memory. This is the set that makes darkness feel cinematic, not compromised.
Spec | Detail |
|---|---|
Format | Super 35 |
Aperture | T1.3 (T2.1 on 135mm) |
Focal Lengths | 18, 25, 35, 50, 85, 135mm |
Mount | PL |
The lens that DPs reach for when the sun goes down. T1.3 speed, vintage character, and that unmistakable Zeiss fall-off. Night exteriors, low-light drama. This set lives for the dark.
Unlock the night with the ALEXA MINI
ATLAS MERCURY ANAMORPHIC
There's a reason this is the first Atlas set in Pakistan. The 1.5x squeeze delivers oval bokeh, blue streaks, and that widescreen cinematic presence – without the weight and focus headaches of 2x glass. Lighter. Sharper. More forgiving. This is the set that makes clients ask, "Did you shoot this in LA?"
Spec | Detail |
|---|---|
Format | Full Frame |
Squeeze | 1.5x |
Aperture | T2.2 |
Focal Lengths | 36, 42, 72mm |
Mount | PL |
The lens that gives you anamorphic character without the compromises. 1.5x squeeze, full-frame coverage, and that unmistakable widescreen look. Music videos, premium commercials, feature films – this set delivers the magic.
Unlock the widescreen look with the ALEXA MINI LF
SIGMA CINE PRIMES
Sharp, modern, and full-frame ready – Sigma Cine Primes deliver 90% of the quality of high-end Signature Primes at half the price. Clean, reliable, and consistent across the set. The lens that proves you don't need a Hollywood budget to shoot like you do.
Spec | Detail |
|---|---|
Format | Full Frame |
Aperture | T1.5 (T2.0 on 14mm & 135mm) |
Focal Lengths | 14, 24, 35, 50, 85, 135mm |
Mount | PL |
The lens that gives you full-frame cinematic quality without breaking the budget. Modern, sharp, and reliable – perfect for multi-cam shoots and productions that demand clean results.
Unlock full-frame quality with the ALEXA MINI LF
COOKE 25-250mm
There's a reason the Cooke 25-250mm is a legend. Classic Cooke character – warm, smooth, and flattering – across a 10x zoom range. From wide establishing shots to tight close-ups, it delivers that unmistakable Cooke texture without changing glass. Heavy? Yes. Worth it? Absolutely. The workhorse that never stops working.
Spec | Detail |
|---|---|
Format | Super 35 |
Aperture | T3.7 (T3.7 to T22) |
Focal Length | 25-250mm |
Mount | PL |
Classic Cooke character across a 10x zoom range. Warm, flattering, and reliable. The workhorse that never stops working. Perfect for documentaries, live events, and fast-paced production.
Pair with the ALEXA MINI for ultimate flexibility
ANGENIEUX HR 25-250mm
There's a reason the Angenieux HR is the industry's favourite workhorse. Constant T3.5 across the entire 10x range. Rugged, reliable, and ready for anything – documentaries, live events, fast-paced production. When you can't stop to change glass, this is the lens that keeps you in the moment.
Spec | Detail |
|---|---|
Format | Super 35 |
Aperture | T3.5 (constant throughout zoom range) |
Focal Length | 25-250mm |
Mount | PL |
The industry's favourite workhorse. Constant T3.5 across the entire 10x range. Rugged, reliable, and ready for anything. When you can't stop to change glass, this lens keeps you in the moment.
Pair with the ALEXA MINI for ultimate reliability
LAOWA PROBE LENS
There's a reason the Laowa Probe is unlike anything else. 408mm of slim, waterproof barrel that goes where no lens can – through tight spaces, beneath surfaces, into worlds too small for the naked eye. 2:1 macro magnification and an integrated LED ring light. This is the lens that reveals what's been hiding in plain sight.
Spec | Detail |
|---|---|
Format | Full Frame / Vista Vision |
Aperture | T14 (T14 to T40) |
Focal Lenght | 24mm (85° angle of view) |
Mount | PL |
The lens that goes where no lens can. 408mm of waterproof barrel – crawls through tight spaces and beneath surfaces. 2:1 macro magnification with built-in LED ring light.
Built for the ALEXA MINI
LAOWA PROBE LENS 2
There's a reason the Pro2be is the next generation of probe lenses. Brighter at T8 – a full stop faster than its predecessor. 2:1 macro magnification that turns the minuscule into the monumental. Waterproof, compact, and built for the impossible. This is the lens that sees what others can't – crawling through cracks, beneath surfaces, into worlds too small for the eye to follow. The impossible? Just another frame.
Spec | Detail |
|---|---|
Format | Full Frame / Vista Vision |
Aperture | T8 (T8 to T40) |
Focal Length | 24mm (85° angle of view) |
Mount | PL |
Brighter at T8. 2:1 macro magnification. Waterproof, compact, and built for the impossible. Reveals what others can't – crawling through cracks, beneath surfaces, into worlds too small to follow.
Built for the ALEXA MINI
GL OPTIC MACRO
Some stories live in the details. The GL Optic 100mm Macro transforms the ordinary into the extraordinary – a single eye becomes a landscape, a product becomes a character. At macro distances, the magic is already there. You just have to look closer.
Spec | Detail |
|---|---|
Format | Super 35 |
Aperture | T1.9 |
Focal Lengths | 16, 24, 32, 50, 85, 135mm |
Mount | PL |
Extreme macro sharpness for product details, beauty close-ups, and VFX work. When the story lives in the details, this is the glass you reach for.
Pair with the ALEXA MINI
