Character Matters. We Have 8 Personalities.
Cooke S4i for skin that glows. Zeiss Ultra Primes for commercials that cut. Atlas Mercury 1.5x anamorphic for that first-in-Pakistan widescreen look clients pay extra for. Zeiss Super Speeds for vintage night exteriors at T1.3. Mamiya Sekor C for that creamy medium-format feel.
This isn't a lens list — it's a creative palette. All rehoused, serviced, matched sets. No surprises on set. No breathing that ruins your focus pul
Cine PL lenses for rent in Karachi With An Alexa Or Sony KIT
COOKE S4i 6-LENS (18/25/32/50/75/100mm)
The look: Warm, smooth, 3D "Cooke Look" — skin glows, backgrounds melt
Best for: Beauty commercials, dramas, anything with people
Why ours: Matched set, /i metadata for VFX, serviced quarterly. When client says "make her look expensive," this is the set. Comes in one case, follow-focus gears installed, front diameters matched. Book with Mini for ultimate combo.
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ZEISS ULTRA PRIME 6-LENS (16/24/32/50/85/100mm)
The look: Surgical sharp, zero breathing, T1.9
Best for: Product, tabletop, VFX plates, sharp commercials
Why ours: Netflix-approved, perfect for green screen. If you need to read the serial number on a watch, use these.
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ZEISS HIGH SPEED MK2 (18/25/35/50/85/135mm T1.3)
The look: Vintage Zeiss character, super fast
Best for: Night exteriors, low light, drama
Why ours: Most-rented lens in Pakistan for night scenes. Shoot by streetlight at T1.3. That classic fall-off.
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ATLAS MERCURY ANAMORPHIC 1.5x
The look: First Atlas set in Pakistan. Widescreen with oval bokeh, blue streaks
Best for: Music videos, films, premium commercials
Why ours: 1.5x squeeze means you get anamorphic character without the weight and focus issues of 2x. Clients think you shot in LA.
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LOMO ANAMORPHIC 3-LENS (35/50/80)
The look: Russian vintage, wild flares, character for days
Best for: Music videos, creative projects
Why ours: When clean is boring. That 1970s anamorphic look.
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SIGMA CINE PRIME 6-LENS
The look: Modern, sharp, full-frame ready, T1.5
Best for: Budget cinema, multi-cam
Why ours: 90% of Signature prime quality at half the price. Perfect for Opening Full frame and clean looks to all budgets with the MINI LF
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MAMIYA SEKOR C 8-LENS
The look: Medium format rehoused — creamy, unique
Best for: Fashion, portraits, dreamy commercials
Why ours: No one else has this look in Pakistan. That medium-format fall-off.
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LOMOCRON ANAMORPHIC
The look: Modern anamorphic, compact
Best for: Gimbal anamorphic work
Why ours: Light enough for Ronin, still gives you the squeeze.
Largest High-End Gear Arsenal in Pakistan
We maintain the country’s deepest rental inventory, including:
Cameras: ARRI Alexa Mini LF, Alexa Mini (x2), Phantom Flex 2K, Sony FX30 .
Lenses: Cooke S4/i, Zeiss Ultra Primes, Zeiss Super Speeds, Atlas Mercury anamorphics, Lomocron, Panavision Primos
Studio 146 is more than a rental house — it’s Pakistan’s filmmaking backbone. By combining world-class gear, reliable infrastructure, and experienced crew, we make Pakistan an accessible, cost-effective, and professional destination for local and international productions.
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20+ Lens Sets covering full frame & S35 formats.
1,000+ Shoots Delivered across Pakistan since 2003.
Lenses
Lomocron Anamorphic
Cooke S4i
COOKE S4i 6-LENS (18/25/32/50/75/100mm)
The look: Warm, smooth, 3D "Cooke Look" — skin glows, backgrounds melt
Best for: Beauty commercials, dramas, anything with people
Why ours: Matched set, /i metadata for VFX, serviced quarterly. When client says "make her look expensive," this is the set. Comes in one case, follow-focus gears installed, front diameters matched. Book with Mini LF for ultimate combo.
Arri Ultra Primes
Alex Smith has been part of Studio 146 since the very beginning. As our Head of Business Development, they play a key role in making sure everything runs seamlessly with clients from beginning to end.
Ziess Super Speeds MK3 T1.3
ZEISS HIGH SPEED MK2 (18/25/35/50/85/135mm T1.3)
The look: Vintage Zeiss character, super fast
Best for: Night exteriors, low light, drama
Why ours: Most-rented lens in Pakistan for night scenes. Shoot by streetlight at T1.3. That classic fall-off.
Ziess Standard Speeds T2.0
Kris Ward has been part of Studio 146 since the very beginning. As our Head of Business Development, they play a key role in making sure everything runs seamlessly with clients from beginning to end.
Ziess 12 MM
After many years working throughout the industry, Studio 146 was thrilled to welcome Alex Smith to the team. They bring a strong background and exceptional skill set to their role as Senior Editor.
Ziess 10MM
Since joining our team a few years ago, Max Johnson has brought a fresh perspective and approach to their position as our Creative Producer. Now, Studio 146 simply wouldn’t be the same without them.
ANGENIEUX HR 25-250mm
The Angenieux HR 25-250 T3.5 zoom lens appeared in the 1990s. It is a rugged lens with wide focal range (10x). The maximum aperture (T3.5) is constant throughout its focal range. It has 280º of focus rotation, a weight of 4.7Kg and PL mount.
Cooke/Taylor Hobson 25-250 Zoom
After many years working throughout the industry, Studio 146 was thrilled to welcome Jesse Neimus to the team. They bring a strong background and exceptional skill set to their role as Senior Editor.
Tokina 100mm Macro
Since joining our team a few years ago, Morgan James has brought a fresh perspective and approach to their position as our Creative Producer. Now, Studio 146 simply wouldn’t be the same without them.